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Andrea del Sarto
The Madonna of the Harpies was Andrea major contribution to High Renaissance art.
The Madonna of the Harpies was Andrea's major contribution to High Renaissance art.
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Andrea del Sarto
Virgin birth
mk276 1514 years frescoes in Florence, 413 x 345cm Annunciation Church
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Andrea del Sarto
Our Lady of subgraph
mk276 1520 years 85 x 62cm oil on panel National Gallery of Canada
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Andrea del Sarto
Our Lady of sub
mk276 Oil London
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Andrea del Sarto
Our Lady of St. John and the small sub
mk276 1518 Oil on canvas 154 x 101 cm Rome, the Cypriot Galleries
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Andrea del Sarto
Holy Family
mk276 1520 Oil on canvas 129 x 105 cm National Museum of Art in Florence, DE
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Andrea del Sarto
Our Lady of sub
mk276 1525 Oil on canvas 88 x 64cm Mexico City, San Carlos Museum
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Andrea del Sarto
St James
159 x 86 cm Galleria degli Uffizi, Florence In this painting Andrea del Sarto appears to reflect on an archaising iconography in the style of Fra Bartolomeo. The figure is large and dominant, yet the proportions between the masses and the space are accurate. Even the extended spreading of the colours seems intended to lighten the weight of the figure, which due to the faint and uncertain light stands alone and isolated against the background surroundings. It is the standard of the Compagnia di San Jacopo del Nicchio. The two children wear the costume of the "battuti". It is a late work and very beautiful. The painting was restored in 1989.Artist:ANDREA DEL SARTO Title: St James Painted in 1501-1550 , Italian - - painting : religious
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Andrea del Sarto
Holy Family
1528 Oil on panel, 140 x 104 cm Galleria Nazionale d'Arte Antica, Rome In his biography of Andrea del Sarto, Vasari mentions this painting right after a panel of the same subject painted for Zanobi Bracci. The latter picture survives: given to Cardinal Ferdinando de Medici it is now in the Galleria Palatina at the Palazzo Pitti in Florence. The picture now in Rome, painted for the same Zanobi, was originally installed in the chapel of the Villa di Rovezzano. Numerous copies of this celebrated work exist. Art historians set the date of the composition at 1528-29, comparing it to the Madonna, St Elizabeth and St John the Baptist that Andrea executed for Ottaviano de' Medici. The figure of St Joseph is clearly related to the Raphaelesque model of the Louvre Sacred Family, once owned by King Fran?ois I.Artist:ANDREA DEL SARTO Title: Holy Family (Barberini) Painted in 1501-1550 , Italian - - painting : religious
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Andrea del Sarto
Noli me tangere
Medium Oil on wood
Dimensions 176 X 155 cm
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Andrea del Sarto
Madonna col Bambino, Santa Elisabetta e San Giovannino
c. 1529
Oil on wood
140 x 104 cm
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Andrea del Sarto
Madonna delle Arpie
1517(1517)
Oil on panel
178 cm (70.08 in). Height: 207 cm (81.5 in).
cjr
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Andrea del Sarto
Harpyienmadonna
1517
Oil on panel
207 X 178 cm (81.5 X 70.08 in)
cjr
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Andrea del Sarto
Selbstportrat
c. 1520-1530
Oil on panel
88 X 67 cm
cjr
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Andrea del Sarto
Annunciation
Date between 1512(1512) and 1513(1513)
Medium Oil on wood
Dimensions Width: 184 cm (72.4 in). Height: 183 cm (72 in).
cyf
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Andrea del Sarto
Virgin and Child in Glory with Six Saints
Date ca. 1528(1528)
Medium Oil on wood
cyf
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Andrea del Sarto
Madonna of the Harpies
Date 1517(1517)
Medium Oil on panel
cyf
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Andrea del Sarto
Annunciation
Date ca. 1528(1528)
Medium Oil on wood
cyf
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Andrea del Sarto
The Annunciation
Date ca. 1528(1528)
Medium Oil on wood
cyf
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Andrea del Sarto
Holy Family
Date ca. 1529(1529)
Medium Oil on wood
cyf
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| Andrea del Sarto
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b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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